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Master Mordak's parchment is nearly flat. I don't really want to take it out of the press until the air dries out a little anyway. The other day it was so humid that the water was condensing on my roof and dripping off in sufficient quantities that I had a wet line around my house. I'm also practicing my calligraphy and have gotten far enough to be trying to determine how much space the text will take with various sized nibs. Then I'll switch to gold ink and try again, as that tends to spread a bit more and make for slightly wider letters. The difference will be appreciable in this sized text, though. I'm also working on some concept sketches to finalize the layout.

I've also been trying to map out the locations that the various paintings (that hopefully have all survived and if I'm REALLY lucky will be pictured in the catalog. And while I'm shooting for the moon, photographed in color).

I present the



If the spelling was significantly different, I included modern and 16th century town names. Some of the cities are so close as to be in the same modern municipality, hence the two names on some of the lines. I have NOT pinned down the roots for Broker, Vaflueier, Soager, or Hensbroeckher ladies, but I'm still looking.
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